2010 MoMA P.S. 1 YAP
Museum of Polish History
Museum of Contemporary Art in Wroclaw
Airport Parking Facility, Houston
National Library of the Czech Republic
Gyeonggi-Do Jeongok Prehistory Museum
The Mill Center for the Arts
Stavanger Concert Hall
Malama Learning Center
Triptukhos Series for Labor and Domiciles
Museum of Polish History
Museum of Contemporary Art in Wroclaw
Airport Parking Facility, Houston
National Library of the Czech Republic
Gyeonggi-Do Jeongok Prehistory Museum
The Mill Center for the Arts
Stavanger Concert Hall
Malama Learning Center
Triptukhos Series for Labor and Domiciles
[03 2010] AIA NY 2010 Merit Award LUX NOVA
(AIA NY)
[01 2010] EASTON+COMBS interview: 2010 MoMA P.S. 1 YAP
(Core.form-ula)
[01 2010] 2010 MoMA P.S. 1 YAP, EASTON+COMBS invited finalist
(PS1 YAP)
[03 2009] Architype Review, 2009 Notable Projects: Parking Vol.04 No.01 Online Journal featuring Easton+Combs Airport Parking Project
(LINK)
[05 2009] Young Architects Forum 2008: RESONANCE
(AMAZON LINK)
[11 2008] 1000x Architecture of the AmericasFeaturing two projects of EASTON+COMBS
pg. 244: Mill Center for the Performing Arts
pg. 248: Airport Parking Facility
Purchase from Amazon.com or Verlagshaus Braun
[04 2008]
Lonn Combs selected to participate in the Architectural League's Young Architects Forum 2008: RESONANCEExhibition: May 08, 2008 to July 11, 2008
Lecture: May 15, 2008, 6:30pm
Location: Municipal Art Society of New York
www.archleague.org
[12 2007]
Interior Architecture of China: Issue 12/2007, EASTON+COMBS profile / Lonn Combs teaching profile at Pratt Institute School of Architecture, pages 250-255 http://www.ccddesign.cn
[10 2007]
Praxis 9: Expanding Surface, "Easton+Combs; From Skin to Surface" by Filip Tejchman, pages 39-45 http://www.praxisjournal.net/home.htm
[02 2007]
"Consilient Mapping: Nine Probes for Architecture in Korea", Symposium Catalogue[10 2006] "Consilient Mapping: Nine Probes for Architecture in Korea", Invited exhibition at the Total Museum, Seoul, Korea Group exhibition (50 international architects) with recent work. http://www.totalmuseum.org/
[09 2006] Future Arquitecturas, Issue 5/2006, Jeongok Prehistory Museum, pages 56, 62-63
[09 2006] L'Arca, Issue 217 09/2006, Jeongok Prehistory Museum, pages 76-85[06 2006] Competitions Magazine, Summer 2006, Jeongok Prehistory Museum, pages 8, 12-15
[05 2006] Concept Magazine, Issue 85 05/2006, Jeongok Prehistory Museum, pages 54-57
[05 2006]
Space, Issue 462, 05/2006, Jeongok Prehistory Museum, pages 120-121[05 2006] POAR People & Architecture, Issue 05, 05/2006, Jeongok Prehistory Museum, pages 56-57
[05 2006] Archiword, Issue 132, 05/2006, Jeongok Prehistory Museum, pages 178-18
[05 2006]
International Competition for the Gyeonggi-do Jeongok Prehistory Museum, Seoul, Korea
Public exhibition of award winning entry.[04 2006] Presentations for Prize winning works of the International Competition for the Gyeonggi-do Jeongok Prehistory Museum, Kookmin University, Seoul, Korea Presentation of award winning entry and recent work
[04 2006] New York NOW People's Choice Award Invited Lecture, NYAIA Center For Architecture, New York Project: AirPark IAH; lecture April 10, 2006
[04 2006] Jeongok Prehistory Museum International Architectural Competition, sponsored by the Union of International Architects 3rd Place Winner
[01 2006] Spring Semester Evening Lecture Series; School of Design, University of Kentucky, Lexington, KY. Recent Work
Text
The Stavanger Concert Hall houses an enormous and institutionally complex program of a world class orchestral music hall with a multipurpose hall for opera and electro-acoustical productions. These two main volumetric elements are situated along the extended boardwalk nested into an artificial landscape where practice rooms can open and engage the natural environment as a spontaneous landscape of rehearsal. The design strategy implicitly recognizes the importance of the institution opening up to the urban life at the waters edge and elevation the presence of this project to that of a civic icon in the collective landscape. The plaza level circulation allows for the continuity of civic life to pass through the interior of concert hall’s expansive lobby and re-emerge in the recital landscape as an extension and analogy of Stavanger’s urban life. The orchestral hall deploys the idea of acoustical variability with an expanding roof plane that reciprocally introduces natural light into the space of the music chamber; hence a direct sensory relationship between acoustic depth and the modulation of natural light is established in the main music chamber.
Data
Location: Stavanger, Norway
Client: Nytt konserthus i Stavanger IKS
Program: Symphony hall / Theater / Civic and cultural program
Site: 3.1 hectares [7.66 acres]
Building: 12,800sqm [137,800sqf]
Projected Cost: 1,000,000,000 NOK [129,000,000 EUR]
Status: Professional international architectural competition (2003)
Client: Nytt konserthus i Stavanger IKS
Program: Symphony hall / Theater / Civic and cultural program
Site: 3.1 hectares [7.66 acres]
Building: 12,800sqm [137,800sqf]
Projected Cost: 1,000,000,000 NOK [129,000,000 EUR]
Status: Professional international architectural competition (2003)
Credits
Design Architect: Lonn Combs and Rona Easton with Richard Sarrach and Tamaki Uchikawa
Acoustical Design Consultant: Kirkegaard Associates, Chicago, Illinois Joseph Myers, Associate
Structural and Environmental Systems: Buro Happold, NYC Denzil Gallagher, Principal
Acoustical Design Consultant: Kirkegaard Associates, Chicago, Illinois Joseph Myers, Associate
Structural and Environmental Systems: Buro Happold, NYC Denzil Gallagher, Principal