2010 MoMA P.S. 1 YAP
Museum of Polish History
Museum of Contemporary Art in Wroclaw
Airport Parking Facility, Houston
National Library of the Czech Republic
Gyeonggi-Do Jeongok Prehistory Museum
The Mill Center for the Arts
Stavanger Concert Hall
Malama Learning Center
Triptukhos Series for Labor and Domiciles
Museum of Polish History
Museum of Contemporary Art in Wroclaw
Airport Parking Facility, Houston
National Library of the Czech Republic
Gyeonggi-Do Jeongok Prehistory Museum
The Mill Center for the Arts
Stavanger Concert Hall
Malama Learning Center
Triptukhos Series for Labor and Domiciles
[03 2010] AIA NY 2010 Merit Award LUX NOVA
(AIA NY)
[01 2010] EASTON+COMBS interview: 2010 MoMA P.S. 1 YAP
(Core.form-ula)
[01 2010] 2010 MoMA P.S. 1 YAP, EASTON+COMBS invited finalist
(PS1 YAP)
[03 2009] Architype Review, 2009 Notable Projects: Parking Vol.04 No.01 Online Journal featuring Easton+Combs Airport Parking Project
(LINK)
[05 2009] Young Architects Forum 2008: RESONANCE
(AMAZON LINK)
[11 2008] 1000x Architecture of the AmericasFeaturing two projects of EASTON+COMBS
pg. 244: Mill Center for the Performing Arts
pg. 248: Airport Parking Facility
Purchase from Amazon.com or Verlagshaus Braun
[04 2008]
Lonn Combs selected to participate in the Architectural League's Young Architects Forum 2008: RESONANCEExhibition: May 08, 2008 to July 11, 2008
Lecture: May 15, 2008, 6:30pm
Location: Municipal Art Society of New York
www.archleague.org
[12 2007]
Interior Architecture of China: Issue 12/2007, EASTON+COMBS profile / Lonn Combs teaching profile at Pratt Institute School of Architecture, pages 250-255 http://www.ccddesign.cn
[10 2007]
Praxis 9: Expanding Surface, "Easton+Combs; From Skin to Surface" by Filip Tejchman, pages 39-45 http://www.praxisjournal.net/home.htm
[02 2007]
"Consilient Mapping: Nine Probes for Architecture in Korea", Symposium Catalogue[10 2006] "Consilient Mapping: Nine Probes for Architecture in Korea", Invited exhibition at the Total Museum, Seoul, Korea Group exhibition (50 international architects) with recent work. http://www.totalmuseum.org/
[09 2006] Future Arquitecturas, Issue 5/2006, Jeongok Prehistory Museum, pages 56, 62-63
[09 2006] L'Arca, Issue 217 09/2006, Jeongok Prehistory Museum, pages 76-85[06 2006] Competitions Magazine, Summer 2006, Jeongok Prehistory Museum, pages 8, 12-15
[05 2006] Concept Magazine, Issue 85 05/2006, Jeongok Prehistory Museum, pages 54-57
[05 2006]
Space, Issue 462, 05/2006, Jeongok Prehistory Museum, pages 120-121[05 2006] POAR People & Architecture, Issue 05, 05/2006, Jeongok Prehistory Museum, pages 56-57
[05 2006] Archiword, Issue 132, 05/2006, Jeongok Prehistory Museum, pages 178-18
[05 2006]
International Competition for the Gyeonggi-do Jeongok Prehistory Museum, Seoul, Korea
Public exhibition of award winning entry.[04 2006] Presentations for Prize winning works of the International Competition for the Gyeonggi-do Jeongok Prehistory Museum, Kookmin University, Seoul, Korea Presentation of award winning entry and recent work
[04 2006] New York NOW People's Choice Award Invited Lecture, NYAIA Center For Architecture, New York Project: AirPark IAH; lecture April 10, 2006
[04 2006] Jeongok Prehistory Museum International Architectural Competition, sponsored by the Union of International Architects 3rd Place Winner
[01 2006] Spring Semester Evening Lecture Series; School of Design, University of Kentucky, Lexington, KY. Recent Work
Text
There are two organizing strategies of the programmatic and spatial texture of the Contemporary Museum- the horizontal banding of program and the vertical binding of public circulation, referring to the stacking of horizontal galleries around vertical spatial punctures, through which people, light and atmosphere become bound in a spatial matrix.
The horizontal banding strategy locates the program elements in an accessible organization that allow the galleries and the public event functions to coexist in a mutually supportive manner. The vertical binding strategy drives the main public circulation of the building through three semi enclosed diagonal atria that extend from the ground level to the sky above. The intersection of these conditions forms a rich spatial matrix through which the life and urban fabric of the city is incorporated and extended. This organizational locus acts as the nexus for the public life of the building through binding the galleries with the other cultural venues and generating a new idea about community identity within the cultural complex.
The horizontal banding strategy locates the program elements in an accessible organization that allow the galleries and the public event functions to coexist in a mutually supportive manner. The vertical binding strategy drives the main public circulation of the building through three semi enclosed diagonal atria that extend from the ground level to the sky above. The intersection of these conditions forms a rich spatial matrix through which the life and urban fabric of the city is incorporated and extended. This organizational locus acts as the nexus for the public life of the building through binding the galleries with the other cultural venues and generating a new idea about community identity within the cultural complex.
Data
Location: Wroclaw, Poland
Client: Municipality of Wroclaw
Program: Public museum and community center
Site: .7 hectares [1.7 acres]
Building: 23,000sqm [247,500sqf]
Cost: 160 million PLN
Status: International Architectural Competition
Client: Municipality of Wroclaw
Program: Public museum and community center
Site: .7 hectares [1.7 acres]
Building: 23,000sqm [247,500sqf]
Cost: 160 million PLN
Status: International Architectural Competition
Credits
Design Architect: EASTON+COMBS
Project Team: Lonn Combs, Rona Easton, Aaron White
Vicky Chan, Adrian Lo, Lukasz Szlachcic, Filip Tejchman, Peter VanHage
Structural: Daniel Brodkin (ARUP-NYC), David Farnsworth (ARUP-NYC), Matthew Reid (ARUP-NYC)
Environmental Systems: Mahadev Raman (ARUP-NYC)
Facade Systems: Shawn Li (ARUP-NYC)
Project Team: Lonn Combs, Rona Easton, Aaron White
Vicky Chan, Adrian Lo, Lukasz Szlachcic, Filip Tejchman, Peter VanHage
Structural: Daniel Brodkin (ARUP-NYC), David Farnsworth (ARUP-NYC), Matthew Reid (ARUP-NYC)
Environmental Systems: Mahadev Raman (ARUP-NYC)
Facade Systems: Shawn Li (ARUP-NYC)